I know I can make more, but pulling these bowls out of the kiln was like falling in love. I just want to hang on to them for a while. I may enlarge a print of one of these to hang in the studio for the days we need inspiration.




Alex and Lisa LaPella are potters who love what they do. Alex specializes in the creation of ceramic hand drums. Lisa loves throwing functional wares, believing that beauty and art should be integrated into the everyday. We have a home studio in Unicoi, TN and an online store at LaPella Pottery on Etsy.





Aside from the photo being bad, I am pleased and I think it will help people visualize what can be done with earthy ceramic pendants. The beading was tedious but satisfying. I used the Fibonacci number sequence to decide the bead pattern, starting with the number 5.
There are lots of fun scientific articles out there regarding the Fibonacci numbers in nature, the golder ratio, and the Pheidian spiral. While you may not like looking at the algebra, it is nice to the the sequence applied to images and to understand why certain compositions are comforting and others are jarring. Check out Spira Solaris Archyta-Miribilis, Souls of Distortion, and this blog post on Values Australia which charts art, beauty, and more using Fibonacci numbers.
This bowl came out of the last kiln load and as we unloaded I heard Alex behind me saying, "Oh, HELL yes!" I'm seeing this as a whole new line of work. I have never wanted to be too matchy, but I really love this look. I know in order to be more marketable as a functional potter, we need to have some standard lines and this on I think I can live with for a while. What do you think?


Now that we are up in the tree, I can see loads of patterns on the bark. I hear the little guy who makes these holes every morning. I never manage to catch sight of him, but at our bird feeder we get downy woodpeckers, yellow bellied sapsuckers, and red headed woodpeckers so I'm assuming they are all pecking away out here.
We are building in a mature apple tree. We started to build a series of small platforms, but we decided instead to build a large, triangular platform with the point in the enter of the tree and two stilt legs about 10 feet out in the yard.
We spend a lot of time figuring out angles and discussing the next step. Gran'daddy has been a big help and I suspect he's having a lot of fun.